Scripps college registrar2/1/2024 ![]() The growth of the Scripps Collection was due to the influence of renowned ceramist Paul Soldner, who came to Scripps after graduating from Otis and built the Scripps ceramic program into a major center of study. This purchase piqued his interest in clay and encouraged him to investigate further. Fred began collecting in the early 1940s, first acquiring a piece by one of the leading ceramists in Southern California, Laura Andreson. ![]() Because his budget was limited, he most often bought works directly from the artists. Fred Marer was a mathematics professor at Los Angeles City College and never had substantial resources, but he amassed his collection slowly through actual contact with the artists themselves. The Scripps Collection is also remarkable in that much of it came to the college through one donor, Fred Marer, who was a teacher of modest means. Voulkos and other notable artists maintained the momentum of this philosophy in Northern California at U.C. At Otis, Peter Voulkos led a “revolution in clay” by questioning the tradition that ceramic forms must be utilitarian and creating instead nonfunctional, sculptural works that gave the medium a new freedom of expression. The show will provide viewers insights into the contributions of individual donors and an opportunity to assess the RCWG’s achievements as a collecting institution for more than six decades.ĭuring the mid-1950s, the ceramics department at Otis Art Institute (then the Los Angeles County Art Institute) was a place of artistic vitality and innovative energy. Curated by Kirk Delman, Collections Manager and Registrar, the exhibition will feature work from the Scripps College Ceramic Collection. ![]() Pomona, CA – The American Museum of Ceramic Art is honored to present Best Kept Secret: The Scripps College Ceramic Collection, an exhibition organized by The Ruth Chandler Williamson Gallery at Scripps College.
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